Gondola not only celebrates the medium of film with its beautiful visuals but also gives me one of the cutest romances I’ve seen in quite some time. And it accomplishes both these things with nearly zero dialogue. 7.1/10
WLW Film Reviews Posts
Sure, the script could’ve used another draft and the acting isn’t gonna win anyone an Oscar. But this is such a heartwarming, wonderfully ordinary romance that shows queer and trans joy at any age. 5.9/10
There are some universal themes in Red Cow, of course. But even these themes are always explored through a lens of cultural specificity. This is Red Cow’s triumph. 6.6/10
If you’re gonna play in the BDSM as horror/thriller space, I’m gonna need some really no-flinching nastiness. Also, more of a focus on the psychology of the characters that got them to such a place. If you’re not going to do either of those things, you might as well just make porn to begin with. 4.0/10
Chedeng and Apple is dark, it’s funny and it also has a truly beautiful amount of heart to it. 7.6/10
There’s a vagueness to Silver Haze even while its visuals are blunt and unflinching. All of this feels fitting for a film that takes its title from a strain of weed. 6.1/10
Stroking an Animal is only 70 minutes long. And it fills those 70 minutes with two things: attempts at artsy cinematography (to varying levels of success) and sexy young people doing sexy things like having sex. Where’s the story? Where’s the character? Not in Stroking an Animal, that’s for sure. 2.4/10
The Fallout. This is an incredibly sensitive and well-directed tragedy about specifically American teenagers. Megan Park really knows how to create a young female protagonist who is realistic, interesting, flawed and engaging to watch. 9.0/10
This is harmless, indulgent wish fulfillment that puts a lesbian relationship as something that spans multiple universes and timelines . I so badly want to share in that joy. But this is not a well-executed project on almost any level. 4.7/10
This is a great little time capsule of 90s lesbian culture both in its small scale production and its larger scale optimism about lesbians breaking through into the mainstream and being largely normalized. 6.0/10